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ROUGH MIX January 2021

Rough Mix

Rough Mix is a paid creative lab for early-stage ideas and practice development: a two-week practical opportunity for artists to try out new ideas or new ways of working. It brings together a small core group of practitioners from different disciplines and gives them time to start developing new projects in a supportive and collaborative atmosphere. Rough Mix 2021 began on 25 January 2021 and is presented in partnership with the Macrobert Arts Centre, Stirling.

The new work created was shared on Friday 5 February 2021 in an online event.

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Reflections on Rough Mix 2020

Reflections on Rough Mix 2020 Photo: Jenna Watt

I’m writing this in the middle of the coronavirus lockdown, which makes this reflection even more poignant. It was only a few months ago that I spent two incredible weeks at Summerhall working with a brilliant bunch of artists on Rough Mix. In case you don’t know, Rough Mix is Magnetic North’s annual opportunity for 5 experienced artists to workshop their ideas alongside 2 emerging artists and a group of performers.

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Artist Attachment update

In January 2020 I took part in Magnetic North’s Rough Mix Residency, where I was given the opportunity to collaborate with artists from varying practices on a new work. The other artists were Flavia Hevia, Uther Dean, Gavin Glover, Greg Sinclair, Kol Sigfúsdóttir, Rachel Drazek, Apphia Campbell, Claire Willoughby, Elspeth Turner, Marion Geoffray, Nicholas Alban and Sean Hay.

Leading up to the residency, I was really unsure about what I wanted to explore, with different projects tumbling around in my mind, I felt a real pressure to pick the ‘right’ one, and to come out of the residency with a really solid WIP. I was also a little unsure of how to use the main resource available to us: six performers, especially as I was still unclear about what form I wanted to explore.

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How to apply for Rough Mix 2020: artists and performers


Rough Mix 2020 will take place at Summerhall, Edinburgh from  20-31 January. It is being presented in partnership with manipulate and Summerhall.

There are paid opportunities for experienced artists, early-career artists, and performers to take part. It is open to artists and performers from any art form. Applicants from Scotland with experience of puppetry will also be able to apply to take part in the Scotland-Quebec Puppetry Exchange programme being run jointly by Magnetic North, Puppet Animation Scotland, and Casteliers, Montreal.

Experienced and early-career artists should download a PDF with full information, including links to the online application forms, here.

Performers should download a PDF with full information, including links to the online application forms, here.

The deadlines for applications are:

1pm (UK), 23rd September 2019 for experienced and early-career artists (including Scotland-Quebec Puppetry Exchange).

1pm (UK), 7th October 2019  for performers.


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Fusing the work of two artists

Annie George and Flore Gardner’s collaboration, Twa, comes to the Traverse Theatre for two nights later this month, following a successful run at the Scottish Storytelling Centre during last year’s Fringe. Both artists have participated in Magnetic North’s Rough Mix and Space/Time programmes so I met with them to find out about how that might have influenced their ways of working.

The two artists have come together from quite different backgrounds to forge this compelling cross-artform collaboration. Annie is an award-winning writer, director and performer and she wrote and performs in Twa. She turned to writing after struggling to find work that she wanted to direct.

Once the pair had agreed to create a performance together, Annie sent Flore a short script she had written as a starting point. “It’s got a lot of imagery in it and Flore liked it,” Annie says, “It was quite visual so it sparked off lots of ideas.”

Flore is a visual artist. “I draw on paper, quite small formats, and my subject is the human body,” she explains, “I don’t set out to draw the human body but I end up drawing the human body all the time. I also do alternative forms of drawing. It could be, for example, wall drawing or long durational performance drawing or drawing live in theatre.”

It’s this last type of drawing that features in Twa, though figuring out how to integrate the drawing element into a live performance was not without its challenges. As an artist used to working alone, Flore was initially reluctant to appear on stage: “I had a red line, which was I refused to speak on stage!”

Annie explains a bit about their process: “We spent a lot of time trying to work out how to do the projection. We were trying to work out how to make sure it didn’t draw away from the performance. At first [Flore] was going to be sitting in the audience drawing on a tablet, then we were thinking she would be on the stage with an overhead projector at one point.”

“It’s also because I wanted those two different temporalities,” Flore continues, “I wanted to have made the projections, the animated drawings, beforehand and then draw live during the actual performances. That’s two different kinds of time and drawing. We did spend a lot of time sorting that out. And also [Annie] finishing off the text and I doing different drawings then [she’d] change the text and I’d change the drawings again and that lasted for quite a long time.”

Encouraging this type of interplay between disciplines is at the heart of Rough Mix. However, Twa didn’t come about until after the pair had participated in the programme. It was Flore and Annie’s relationship, both personal and professional, which came out of their time at Magnetic North’s two-week creative lab at Eastgate Theatre in Peebles in 2017.

“We shared a house so even though we didn’t see each other during the day we’d talk at night,” Annie tells me, “and then Flore came to see my show the following month. Then she came back in October and we went out and I said ‘Right, let’s make a show then’ because we were always moaning about our work and, I suppose, the themes that led on to Twa, about not being heard and being stretched in a lot of different directions and the importance of our art to us.”

Flore agrees that connecting on a personal level as well as a professional level was important for their working relationship. “We talked about lots of personal stuff really, but I think that my everyday life is completely intermingled with my work,” she says. “I can’t separate the two; one is so much part of the other.”

This duality is at the heart (and in the title) of Twa: it mixes the contemporary and the mythical, intertwines two different women’s stories and fuses the unique work of both of these artists.

If you missed it at the Fringe last year, you can see it at the Traverse Theatre next week, 24th-25th May.

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